Wednesday, January 20, 2016

Dreaming in Green: Gorgeous Chinoiserie Hand Painted Wall Coverings...

After eyeing various de Gournay, Gracie, and Paul Montgomery hand painted silk wall coverings (along with wood block printed Zuber from France) over the years, I have been wanting to put together a blog post with some beautiful examples.  These mural-like designs based on 18th and 19th century Chinese, Japanese, European, and American scenes are stunning works of art.  I included an interesting article from Gotham Magazine, "New York's Wallpaper to the Stars" by Suzanne Charle below.

Perhaps my love for these designs started in the dining room of my childhood home. Although not hand-painted, my parent's dining room has a beautiful Brunschwig & Fils chinoiserie wallpaper design with flowers, birds, and butterflies...My mother once tried to give me some green porcelain Chinese lamps with a similar design, but I insisted that she keep them since they went with her wallpaper perfectly. I think this was my first moment of appreciation for this aesthetic!




via WSJ, Gracie Studio Handpainted Chinese Wallpaper


One particular photo caught my eye in a recent Southern Living magazine.  I absolutely LOVE so much about this dining room!!  First, it seems the vast majority of photographed interiors with these luxurious wall coverings have equally formal, baroque and over-the-top ornate elements, creating a rather stuffy and museum-like tone.  In contrast, the dining space below mixes the more formal wall covering with clean lined furniture, contemporary accessories, and the overall look is more balanced, modern, and comfortable.  Second, this wall covering uses my favorite grass green shade, one that I labored over for weeks while selecting a paint color for our master bedroom (sadly in our former home!)  I am determined to use a fun green somewhere in our new home!  Finally, I love the stunning contrast of light and dark in this room.  Perfection.



Over the holidays, we were visiting my childhood bestie in their new home in St. Louis, and she asked me for ideas for her dining room.  These gorgeous chinoiserie wall coverings immediately came to mind.  She has a beautiful collection of antique mahogany furniture, and a pretty traditional/formal interior design style.  So, I can picture something similar to this in her home.  However, these custom hand-painted wall coverings from Gracie and de Gournay are exorbitantly priced at approximately $1,000 per 3 ft x 8 ft panel.  Griffin and Wong is a less costly source of hand-painted panels, at approximately $400 per panel.  I suspect there may be even more affordable, digitally printed versions available (see below for one example by Designer Wallcoverings).  You may not get the same hand-painted detail and exquisite texture, but a similar look regardless. 

If your heart is set on the real deal, an alternative I have seen often, is to purchase and frame singular panels, which serve as large-scale artwork and give a similar chinioserie vibe to a space.  I think I would lean in this direction if I were to attempt this in my own home.

Here are a few examples of using framed panels...

Framed chinoiserie panel (source unknown)

Framed chinoiserie panels (source unknown)...but this has Mary McDonald written all over it!!

via Luxe Magazine, Gracie Framed Panels

via Lonny Gracie Wallpaper Panels, design by Lynn Nigro
(source unknown)



Another example of just a framed panel used beautifully in a space...

I started to search around for more reasonable alternatives.  Here are a few photos of the aforementioned Griffin & Wong papers, at approx $400 per panel....


Griffin & Wong

Griffin & Wong

Griffin & Wong

Griffin & Wong

Griffin & Wong
(I think this one is my all time favorite!!)


According to the Sybaritic Spaces blogger, Amal Kapen, there is a company that produces digitally printed wallpaper inspired by the more luxurious painted versions.  Designer Wallcoverings has a collection, Et Cie which is priced at approximately $200 per 3 ft x 8 ft panel.  In fact, Et Cie's 'The Rockefeller' design looks identical to Paul Montgomery's 'Kew Garden'....so much so that some speculate this digital collection is produced by the same company.


Hand Painted Wall Covering by Paul Montgomery in 'Kew Garden' design


Designer Wallcovering's Digital Et Cie Collection in 'The Rockefeller' -
looks identical to Paul Montgomery's Kew Garden above


The following are more inspiration photos of rooms with these beautiful Chinoiserie hand-painted wall coverings....



How lovely to enjoy this view while doing laundry!!
From the DC 2009 Design House, room by designer Draza Stamenich

Aerin Lauder's Dressing Room - Gracie Studio
(again, love the mix of traditional, 'fancy' wall covering with more contemporary/clean lines of the brass desk)

Gracie wallcovering....from Architectural Digest by designer Elissa Cullman

de Gournay 'Askew' design in the Ritz-Carlton Hotel Beijing 

Hand Painted Wall Covering by Paul Montgomery in 'Dunmore' design

de Gournay 'Jardinieres Citrus Trees' design on paper and satin materials...Charlotte Moss

B. Mori, company based in San Francisco, custom hand-painted textiles

Another panel by B. Mori


de Gournay 'Earlham' design...room by Mary McDonald via House Beautiful

de Gournay 'Abbotsford' design....love the repeat of chinoiserie elements in wallcovering, rug AND the complementary shades of greens and orangey-reds


de Gournay 'Askew' design...again, love the mix of traditional and contemporary elements

de Gournay 'Chelsea' design - LOVE the bold yellow color

de Gournay 'Coutts' design, Bergdorf Goodman Restaurant NYC, design by Kelly Wearstler

de Gournay 'Earlham' design....love how they covered the door as well!

de Gournay 'Jardinieres Citrus Trees' - LOVE the neutral color scheme with pops of bold color!

de Gournay 'Oriental Landscape' design

de Gournay 'Portobello' design, interiors by Remus Interiors

de Gournay 'St. Laurent' design

How about a hot relaxing bath in here?
de Gournay 'Temple Newsam' design, Balfour Castle Scotland

de Gournay 'Askew' design, interiors by Alison Henry

love the calm, elegant tone of these wall coverings in a neutral color scheme....
de Gournay 'Badminton' design, interiors by Bunny Williams
Again, love the mix of traditional wall covering with more modern elements
Bedroom by Miles Redd
Another beautiful bedroom by Miles Redd via Veranda Magazine
AND, another bedroom by Miles Redd via Elle Decor

de Gournay 'Jardinieres Citrus Trees', interiors by Charlotte Moss
Another view of Charlotte Moss's dining room

de Gournay 'Orchids'

de Gournay 'Portobello' design, interiors by Philip Ver Hoeye

Architectural Digest, interiors by Thad Hayes 
Another view...


via Architectural Digest, a Paris Apartment Dining Room

Timothy Whealon Swedish inspired

Gracie Wall Covering...Red Cross Palm Beach Showhouse, designer Nancy Pearson 

Gracie Wall Covering....interior design by Rinfret 

Gracie Wallpaper in Tory Burch's NYC circular Foyer

Here, Cote de Texas blogger Joni Webb installed this beautiful paper by yet another source,
Simon Scott in her master bedroom
And now, a few examples of the gorgeous Zuber murals....


A Craftsman using vintage wood block to apply color to Zuber wallpaper

Zuber wallpaper in Brooke Shields NYC apartment, via Architectural Digest


Zuber (or Zuber-like) mural wallcoverings via Architectural Digest
Here, Michael Smith used these beautiful Zuber mural wall coverings in this masculine yet serene bedroom
Zuber Wallpaper (source unknown)

Another Zuber (or Zuber-like) Mural in this dramatic foyer via Architectural Digest


Zuber wallpaper, love the pop of orange in the camel and headpieces...


 “New York’s Wallpaper to the Stars” – by Gotham Magazine's Suzanne Charle


“We’re having a ‘moment,’” notes an obviously pleased Mike Gracie, president of Gracie, a fourth generation New York–based family business, which for decades has created elegant hand-painted wallpaper for le tout Manhattan. Sitting in his office in the D&D Building, Mike motions to the wallpaper, appropriately named Gracie Square, that serves as a setting for his work. People appreciate the high level of artistry and beautiful details, he says. One can see why, looking at the finely painted birds and butterflies that flit among the exuberant flowers, all on a Hermès-like orange background.

The fashion crowd certainly does. Gracie wallpaper frequently serves as a backdrop for fashion shoots for top magazines. Tory Burch, who has Gracie wallpaper in her apartment entryway, chose a pattern inspired by an 18th-century Chinese design for her Spring 2012 runway. Aerin Lauder used Gracie papers in a display of her jewelry and also papered her dressing room with Gracie panels; Anna Sui used its designs for the walls of her Paris apartment.

Of course, interior designers are Gracie’s main clients-cum-devotees, among them society designerdoyenne Bunny Williams, David Easton, and Victoria Hagan.

This “moment” has, in fact, been the culmination of a rather long winning streak: 115 years, to be precise. Charles R. Gracie, a furniture restorer, opened his studio in 1898, selling architectural moldings made by Italian craftsmen along with Asian antiques and porcelain to decorate New York society homes. (The firm continues the tradition by selling fine antiques and porcelain, as well as lacquered furniture from the Far East.)

The Asia connection dates to 1927, when an antiques dealer introduced Charles Gracie to a Chinese business dealing in hand-painted wallpaper that Gracie soon began collecting. His clientele—the Rockefellers, Vanderbilts, and Astors as well as the Hollywood elite—appreciated Gracie’s eye for fine detail, as did their decorators: Elsie de Wolfe, Dorothy Draper, McMillen Inc., and William Haines.

The Depression and World War II restricted import, but Gracie resumed business with the Chinese firm during the postwar years. Today about 100 Chinese artists paint wallpapers to Gracie’s specifications, creating new works inspired by 18th- and 19th-century Chinese, Japanese, European, and American scenic wallpaper designs.

Mike estimates that one 3-by-10-foot panel takes about 75 to 100 man-hours of painting alone. “Everything is done by hand,” he explains. “But such attention to detail and demand has its rewards. Business is brisk.”

Most of Gracie’s work continues to be for private (and not so private) houses—including the White House, which, as Mike explains, is not surprising. “George Washington had Chinese hand-painted wallpaper in his home, as did many of the well-to-do in Colonial America,” a perk of the growing China trade that was so important to the young country. Generations later, America’s well-heeled are enjoying a new version of this China trade. D&D Building, 979 Third Ave., Ste. 1411, 212-924-6816

Monday, January 11, 2016

2016 Golden Globes Red Carpet Review

Good morning ladies and gents! The ever anticipated Award Season is upon us.  The Golden Globes is always the more light-hearted, fun, and festive awards show...and I always enjoy a good red carpet review.  Yet for this 2016 edition, I have to say I am not as familiar with many of the movies and shows.  The only winner to which I can attest his stellar performance is Jon Hamm of Mad Men, whom I adore (woo-hoo!!!!!) Sadly, we just have not been to the theatre much this year, but I am hoping to squeeze in a few before the Academy Awards.  I especially would like to see Carol, Room, Spotlight, Joy, The Big Short, Trainwreck (I know, I have really been living under a rock), Steve Jobs, Concussion, The Martian, and The Revenant.  (See full list of winners below)....

In terms of fashion, it was a typical mix of hits and misses.  There were certainly some favorites, a few solid choices, and the inevitable less-than-desirable gowns...OK, here we go...


My Top 10 Favorite Gowns of the Evening....

I adore this Louis Vuitton ruffled (and subtly beaded/sequined) gown on Alicia Vikander.  It has a beautiful silhouette and graceful movement.

Amy Adams wows in this gorgeous orangey-red Atelier Versace tank gown.  Red is not always easy for red-heads to pull off, but this was smashing on her! I also loved the simple gown design with the interesting asymmetrical sequin detail...

Olivia Wilde looks amazing in this gorgeous burgundy Michael Kors sequin gown.  I don't always love the deep v-neck, but this dress fits her like a glove and is simply beautiful on her.  I also love her messy, effortless low pony-tail and elegant choker necklace.


Brie Larson kills it in this custom Calvin Klein number.  The midriff cutouts can be tricky to pull off but this gown was certainly made for her!

Helen Mirren is "sometimes-less-is-more" personified in this elegant Badgley Mischka black gown with a sheer neckline.  She always stuns in fashion that is both flattering and age appropriate.

I very well may be the ONLY person to like this, but here Jane Fonda proves that "sometimes-more-is-more"...Despite the reference to Spanish terracotta roof tiles, I LOVE the graphic, architectural design of this dress.  Definitely one of my favorites of the night!

Malin Ackerman in Reem Acra. Love the feminine silhouette of this silver peplum gown.  

This fun and flirty Delpozo gown seems to be very hit or miss for people, but I loved it.  I am typically not a fan of the asymmetrical hemline, but somehow it worked with this dress.  I also loved the cool, graphic, color-block design. Very modern and fun.



Amber Heard is stunning in this airy chiffon pink and red Gucci gown.  The floral detail is incredible and I love how it meanders down the back.  She also seems to pull off the retro hair style better than most... 


I am not sure Rosie Huntington-Whiteley is a real human being, nevertheless, she looked gorgeous in this gold Atelier Versace gown.  The color complemented her hair and skin tones without washing her out.


The next few were solid choice, runner-ups....

This sapphire blue Ralph Lauren gown is gorgeous on Kate Winslet,
but her too-fussy-retro hair was stiff and severe.  Plus, it seems she has worn this similar if not same look several times before?

LOVED this aqua blue Badgley Mischka gown on Queen Latifah.
The color and style were both so pretty and flattering on her!


Kate Bosworth is pretty in this feminine pink sequin Dolce & Gabbana column gown, but again, she appears stiff and uncomfortable....I hope she was able to loosen up and enjoy the evening!


Emmy Rossum's red Armani Prive gown fits her like a glove and the color is stunning on her...Yet, I did NOT love the seemingly outdated-yet-contemporary necklace design.

I am not going to jump on the Giuliana Rancic figure-critiquing bandwagon....This is Hollywood after all.  Yet, I think this orangey-red (I think she called it coral) color was beautiful on her and the style of the dress is unique, fun, and suits her well.  I particularly LOVED the color combo of this shade with the turquoise earrings.  

Taraji P. Henson looks fabulous in this white Stella McCartney gown.  The silhouette is clean and simple, and the bright white color pops against her beautiful skin.  Great choice for her and loved her cute black clutch as well!
How cute is this couple by the way?! Ken and Tran Jeong....LOVED her graphic black and white (not sure the designer) gown with intricate floral detail. So pretty and feminine!
Not familiar with her, but Jane Wu looks chic and stunning in this silver beaded column gown. Love the deco vibe!

Another actress I am not familiar with, but Portia Doubleday rocks this killer Naeem Khan disco-ball-esque gown that was fun and festive for the GG!



The next group of gowns had a LOT of potential, but something went awry...


I could cry in my coffee over Eva Longoria's Georges Hobeika gown.  The top of her dress is stunning. The beautiful, feminine beaded neckline is so unique and pretty.  I really wish this was the only detail in the dress with a simple column skirt.  Yet, the embroidered floral detail at the hips was unflattering and distracting....


Regina King's Krikor Jabotian's gown also has a LOT of potential.  The circular sequin gold and silver design throughout the gown is amazing....but the superfluous cape threw the entire dress off.  Also, the neckline could be cut a little lower for a more flattering design.

This emerald green color is gorgeous on Jaimie Alexander, and the graphic pattern in her Genny gown is unique and interesting.  Yet, I did not love the deep V-neck.  Call me old fashioned, but I almost always find these deep necklines distracting as I fear they will turn into an embarrassing wardrobe malfunction!!



JLo looks stunning in this golden yellow color by Giambattista Valli....Yet, the style could use some tweaking. (more shoulder, less leg, perhaps?) 

Again, the gorgeous sapphire blue color by Tom Ford is gorgeous on Julianne Moore, but the velvet lasso-esque neckline could be tweaked a bit...It looked like it was strangling her a bit.  But the long sleeved column silhouette is striking on her!




Major misses....

Again, I am likely the only person NOT to love this, but Jennifer Lawrence's Dior gown just did not work for me.  The midriff cutout was architecturally interesting, but unflattering.  Also, her stiff hair and choker necklace is reminiscent of Ludmilla Drago (wife of Ivan Drago in Rocky IV) 

Cate Blanchett usually hits it out of the park, but unfortunately last night, not so much.  The color of this Givenchy gown is certainly pretty on her, but the drapery-esque fringe detail does not work for me.

Similarly, I usually love Kate Hudson's fashion choices, but not so much with this Michael Kors Collection nude number.  This is more suited to a wrestling match ring girl attendant than Golden Globes gown, but who am I to say? The color and fabric are both beautiful, (and I do like the choker part) but perhaps if it were strapless OR with midriff showing, but not both at the same time?


Katy Petty is FANTASTIC in concert, and she puts on amazing performance.  However, last night was not her best fashion showing.  This busty bubble gum pink Prada number is highly unflattering and the Morticia Addams hairstyle looks dowdy and downright scary!

Congratulations to the following 2016 Golden Globes winners in each category:

Best motion picture, drama: "The Revenant"

Best motion picture, musical or comedy: "The Martian"

Best performance by an actress in a motion picutre, drama: Brie Larson, "Room"

Best performance by an actress in a motion picture, musical or comedy: Jennifer Lawrence, "Joy"

Best performance by an actor in a motion picture, drama: Leonardo DiCaprio, "The Revenant"

Best performance by an actor in a supporting role: Sylvester Stallone, "Creed"

Best performance by an actress in a supporting role: Kate Winslet, "Steve Jobs"

Best director, motion picture: Alejandro Gonzalez Inarritu, "The Revenant"

Best performance by an actor in a motion picture, musical or comedy: Matt Damon, "The Martian"

Best screenplay, motion picture: Aaron Sorkin, "Steve Jobs"

Best original score, motion picture: Ennio Morricone, "The Hateful Eight"

Best motion picture, animated: "Inside Out"

Best original song, motion picture: "Writing's on the Wall." "Spectre"

Best motion picture, foreign language: "Son of Saul"

Best television series, drama: "Mr. Robot," USA

Best television series, musical or comedy: "Mozart in the Jungle," Amazon Video

Best television limited series or motion picture made for television: "Wolf Hall" PBS

Best performance by actor in TV series, drama: Jon Hamm, "Mad Men"

Best performance by actor in TV series, musical or comedy: Gael Garcia Bernal, "Mozart in the Jungle"

Best performance by actor in leading role in series or motion picture made for TV: Oscar Isaac, "Shoe Me a Hero"

Best performance by actor in supporting role in series or motion picture made for TV: Christian Slater, "Mr. Robot"

Best performance by actress in a TV series, drama: Taraji P. Henson, "Empire"

Best performance by actress in a supporting role in series or motion picture made for TV: Maura Tierney, "The Affair"

Best performance by actress in a leading role in a series or motion picture made for TV: Lady Gaga, "American Horror Story: Hotel"

Best performance by an actress in a TV series, musical, or comedy: Rachel Bloom, "Crazy Ex-Girlfriend"

Thursday, January 7, 2016

Washington Post Article "Mom: What Do I Expect from my Children's Elementary School? Certainly Not This"

A friend recently shared the following Washington Post article via Facebook, and it made me feel so thankful for our Ruffing Montessori school.  Fortunately, we live in an area with wonderful public, parochial, and private schools.  We have many GOOD options for education in our neighborhood.  Had we not fallen into the lap of Ruffing during our preschool search, I would gladly send my children to our public or parochial schools, as we know many families who are very happy attending them.  Although I hear the occasional gripe about the over-emphasis on standardized test scores, etc., these families rave about the teachers, extensive resources, personal attention, and quality academic curricula.  Sometimes, I even wonder whether we are missing out on some aspects of our other local schools as we hear THAT much great feedback.  Therefore, I (hope) and suspect our friends who go to other local schools do not identify with the Mom in this article.

Yet, putting all of these great local schools aside, I have to say - I am so happy we discovered the unique opportunity to send our children to a Montessori school, not just for preschool, but for their elementary years as well.  I am not claiming that only a Montessori school can foster a true love for learning, as I know this is possible in other school formats.  I know this because I have lived through them.  But after reading this article, it it evident that many schools simply do not foster this love for learning, and that is so disheartening.  I am sad for the children who get off the bus "exhausted...frustrated...overworked...burned out."  I feel equally disappointed for the teachers who are "trying to inject as much fun into the day as possible, but are obligated to keep up with deadlines, adhere to the curriculum, and meet the standards."

I truly do not know the right answers to resolve this issue.  I cannot even imagine the mountain our educational task force must climb. But, I hope for the sake of our country, our schools can develop a better understanding of what makes kids tick. As Goodman states, "I am clever enough to know that if (the kids) are enjoying themselves at school, they will learn. Academics follow naturally if the proper environment for learning is there."

I shared this article with my children's teachers and administration.  I hope they know how thankful we are as parents, to NOT identify with the issues in this article.  In contrast to the environment described, our teachers encourage a love for learning through hands on lessons, collaboration, physical movement, innovation, problem solving, creative thinking, exploration, while emphasizing the importance of social responsibility, respect for others, and community.  Without further ramblings, I have shared this well-written and insightful (yet alarming) article below.


https://www.washingtonpost.com/news/answer-sheet/wp/2016/01/05/mom-what-do-i-expect-from-my-childrens-elementary-school-certainly-not-this/

Top of Form
Mom: What do I expect from my children’s elementary school? Certainly not this.


By Valerie Strauss January 5, 2016

Laura Eberhart Goodman is a former classroom teacher and writer on “The Synapse” on Medium. Her work has been published on the You Share Project and in the upcoming IAGC (Illinois Association for Gifted Children) annual journal. You can find her musings on the value of creativity, unstructured play, and the importance of preserving childhood on her blog, Boilsdown.com, where this piece appeared. She was raised on a farm north of Baltimore and lives in Richmond with her husband and two children. In this post, she writes about her concerns about the experiences her children are having at elementary school. It’s not what she had hoped for or expected.

By Laura Eberhart Goodman

When I put my children on the bus in the morning, the wish I call out to them after kissing their heads is, “Have a good day!” Pure and simple.

Now, I know that not every day can be a birthday party, and not all things in life should be made into a fun activity. My wish is not overly naive or idealistic, it is simply that they enjoy their day at school. It is my hope that even if there are moments of the day when things don’t go well, or times when they are frustrated, or they find something to be particularly challenging, the overall feeling when they return home is not negative.

I want them to have had enough positive experiences, enough moments of engagement, enough creativity and fun built into their day that “good” is the predominant mood descriptor.

That is not currently the case.

The children that I get off of the bus are exhausted. They are frustrated. They are overworked. They are burned out. I feel as if I should make them a weak whiskey on the rocks, hand them their pipe and slippers and leave them alone for an hour to decompress.

It takes them a bit of time before they can think of something positive to tell me, and usually it ends up being something that happened during recess or lunch. I would blame the teachers for this bleak attitude, but I was one, and I know that the teachers are just as tired, frustrated and overworked. Their teachers are trying to inject as much fun into the day as possible, but are obligated to keep up with deadlines, adhere to the curriculum and meet the standards. No, this pressure is coming from high above. And it is squishing my children with its weight.

For my elementary ­school­ age children, I care more about whether or not they love going to school than I do about their academic progress. I am clever enough to know that if they are enjoying themselves at school, they will learn. Academics follow naturally if the proper environment for learning is there.

From a parental perspective, a good learning environment is one with positive energy. The teachers want to be there, and the children want to be there. No one is counting the minutes to the end of the day before it has even started.

From an educator’s perspective, an environment that is engaging, hands­ on, with opportunities for meaningful learning, practice, discussions and creativity, makes kids happy. When kids are happy, they learn more, and without having to resort to bribery. It’s not rocket science.

When the learning environment becomes very serious and relies heavily on assessment and grades, learning targets and goals, it is not as enjoyable. It is “work,” and children don’t enjoy work. It’s not in their nature to enjoy work; children are created to learn through play.

You will have as much success asking a tiger not to have stripes as you will asking children not to play. I was watching two children at the post office the other day waiting to get passports, and they had been there for quite a long time. They developed a game using one of their jackets and entertained themselves nicely with it. It is as natural as breathing for children to play. What defines “play?” Any activity that engages the imagination and creativity, two skills that lead to innovation and problem solving when practiced often enough.

We can’t expect them to do work in the same way that an adult does work. We are not the same. They don’t have to pay a mortgage, and I get to stay up as late as I want to. One is not better or worse than the other; they are different.

Just because students may have to sit in an office for eight hours a day when they are adults, doesn’t mean that they should have to start practicing it now as children. It is like saying to a 10­year­old, “One day you’re going to pay taxes, so I’m going to keep 50 percent of your birthday money from Grandma because I want you to get used to it.”

There’s a proper time for everything.

Why has elementary school become the time for instructional and assessment methods that are more appropriate for high school and college students?

We aren’t expecting 8­ and 9­year­olds to vote in the next election, or pay their own car insurance, or stay out late with a boy that we hate, so why are we expecting them to sit for six to seven hours a day and do paperwork? Why are we expecting them to be able to concentrate for hours at a time to take multiple ­choice tests? It’s not the right time for that. They aren’t ready, and they shouldn’t have to be ready.

School systems can’t say they are raising the standards, then force elementary school students to perform like high school students in their work. The amount of testing and assessment in elementary school is at a level that is not appropriate until students are more mature.

There are gigantic gaps in elementary education when the emphasis on academics is pushed down to the lower grades. Young children need time to develop skills that are a crucial part of the foundation of a solid education, and that time has been taken away. You’re educating children to know the life cycle of a plant in the first grade, when they haven’t learned how to tie their shoes or button their own pants after using the restroom. Maybe the focus should be on teaching them how to learn instead of on what to learn.

You want to know what’s wrong with your kindergartner who can’t sit still?

Probably nothing.

He’s in kindergarten and he’s not supposed to sit still for six hours a day. It would be weird if he did.

You want to know what’s wrong with your third­ grader who can’t focus on her work?

Probably nothing.

She’s bored and under­-stimulated because instead of learning through play and exploration, she’s reading nonfiction passages without pictures and writing convincing five ­paragraph essays about them.

It’s backwards logic that is being hailed as the solution to low test scores. Forcing more and more curricula on students at a younger age and a faster pace doesn’t make them better students. It doesn’t teach them skills. It gives them a shallow pool of non­relevant information that they may not remember past the test and don’t know how to apply in real life.

It does do one thing well; it weeds out the “academically successful” students from the “non­academically successful” students really quickly. Is that the goal?

Standards ­based learning and “rigorous” testing are not going to be successful in elementary school, unless your goal is to get children to hate education at a very early age.

Elementary school should be about exploration and exposure to vast amounts of very well­ written books. Writing should be an opportunity to capture observations and imagination in a tangible form. Elementary education should include learning about history through storytelling, art and music. It should be about dancing and singing and playing while developing social skills, communication skills and interpersonal awareness.

Elementary school science should be about questions and wonders, experiments and all things messy. Math should be taught as part of nature and daily life, and if it were introduced that way, children would not be afraid of it when the numbers show up. There should be no limit to the topics that can be explored in elementary school. It should be about how to become a learner … not about curriculum, and definitely not about testing.

We should be setting children up for academic success when they are of the age to truly achieve it, instead of expecting them to accomplish it when they are entirely too young and then being shocked and outraged when they fail.

I want a school where both of my children, two vastly different learners with different strengths, want to go to learn. I want a school where creativity is cherished, and there is ample time for thinking, connecting, discussing and enjoying what they’ve learned. I want a school where the question isn’t “What did you get on the test?” but “What did you do with what you learned?”

Above all, when I see their sweet little faces get off of the bus, and I ask them how their day was, I want to hear, “My day was great!”